Choreography
“Aretha Aoki is known for contemplative, probing solos” -New York Times dance listing
“a standout act…so good” -Sara Marcus for Artforum
Performance
“Aretha Aoki: performs with abandon and an unequivocal commitment to any task at hand. She embodies tension, strife, triumph, and an occasional irony with an enduring deftness that has come to characterize her performance work.” –Cassie Peterson, The Brooklyn Rail
“captivating” -Cuturebot review of Rebecca Serrell Cyr’s Assemblage
“fantastic” -New York Times review of Rebecca Serrell Cyr’s Assemblage
“a dancer with an open, generous presence.” -New York Times dance listing for devynn emory’s This room this braid
“a dancer of delicate beauty.” -New York Times review of Emily Johnson’s Niicugni
“Ms. Anspaugh said that casting was 75 percent of the piece, and here you see what she means…there’s nothing uniform about them. Aretha Aoki, Molly Lieber, Lydia Okrent, Mary Read and Niall Noel Jones: just throwing them onstage together might be enough.” -New York Times review of Vanessa Anspaugh’s Armed Guard Garden
“As casts go, can you top Vanessa Anspaugh, Aretha Aoki, Levi Gonzalez, Molly Lieber, Kayvon Pourazar, Anna Sperber, Vicky Shick and Ms. Mapp?” -New York Times review of Juliette Mapp’s The Making of Americans
“…Aoki, a newer artist in this community, maintains a transcendent singularity next to these revered artists…she resonates with a kind of sly centered knowing that makes each appearance in Mapp’s work seductively beguiling. She portrays an embodiment of the sublime mental states in Buddhist meditation that include loving kindness, compassion, joy and equanimity…” -Culturebot review of Juliette Mapp’s The Making of Americans
Interviews
Aretha Aoki and devynn emory in conversation with Tara Sheena